I mentioned it in my article about the Timex Andros, I hinted at my love of it in my initial impressions, Blake put it alongside a Rolex Submariner and now I want to get down to it; the Seiko 5 SNZH is sort of a perfect watch. It is well made, it is nicely detailed, it has an automatic movement, it looks fantastic, it is versatile, it is unique and it is very affordable.
The review is over; go buy one… But seriously, save a couple of overlookable faults, the SNZH53 is exactly what I wanted it to be.
Case: Polished and Brushed Stainless Steel
Movement: Seiko 7s36B 23-Jewel Auto with Day/Date
Dial: Metallic Blue with Steel inlays
Bezel: 120 Click Unidirectional with Blue Acrylic Insert
Lens: Domed Hardlex
Case Back: Screwdown Display Back
Strap: Steel Bracelet
Water Res.: 10atm (100m/330ft)
Dimensions: 42m, 45mm to crown
Lug Width: 22mm
I bought the Seiko 5 SNZH53 because I had been pining over various heritage divers I could not afford or track down, like the Corvus Bradley and Helson Skin Diver. I eventually caught wind of the SNZH while I was looking for an affordable alternative to these watches, and I stumbled upon a forum post regarding the Seiko “Fifty Five Fathoms” mod. For those unaware of what that means, this DIY modification, which consists of installing an aftermarket face on the watch, is based on the famous and to-die-for Blancpain Fifty Fathoms. The Seiko 5 has some distinct physical characteristics in common with the Blancpain, while not being a knockoff, which lends this mod a unique look that makes it very popular. Also, it will run you about $10,000 less to make or buy a “modded” version.
But, I wasn’t looking for a DIY project (though that might be fun further down the road); I just wanted a nice heritage diver. So I looked into the SNZH line. The “Fifty Five Fathoms” mod is most often made with the 57 version, which is black with gold details. I think the 57 is gorgeous and probably best exemplifies the vintage feel that drew me to the genre, but for wear-ability’s sake, I was not looking for something with gold. So when I saw the 53, with its blue and silver décor, I knew I had found the model for me.
For $165, there really was no debate. I already knew that Seiko 5’s are great watches, given my experience with the SNK803k2, and after the digging I had done I knew this was the most affordable option for me. Regardless, an automatic with day/date and hardlex mineral crystal for $165 is always going to sound good, such is the magic of the Seiko 5. As I discussed in my initial impressions, the look, feel and construction of this watch does not let down.
The 42mm x 14mm stainless steel body is heavy and solid. It is polished around the sides of the watch and lightly brushed over the top of the lugs, which is a nice touch that breaks up the sheen of the steel. The sculptural sweeps of the lugs and slight bulging radius of the sides of the body closely resemble that of the Blancpain’s. In this detail, I have to say, the SNZH out shines some its more expensive brethren that have straight sides. The added curves create a certain elegance that aid in the versatility of this watch, letting it transition from a nice sporty diver to a tasteful dress watch.
The 120-click unidirectional bezel is nicely proportioned to the watch, though it does not appear to be as wide or rotund as that of the Fifty Fathoms. It turns with a satisfying click and has substantial resistance, that is to say you wont accidentally turn it. The bezel is inlayed with a deep blue acrylic insert that has markings in a silvery grey. The markings are slightly unusual in that they mark every 10 with a numeral rather than every quarter, which is more typical of the style. This is actually one of the differences that, in my eyes, really distinguishes the SNZH as a unique watch rather than a copy. The font they used is also very interesting and different in that it is much more elongated and geometric than usual. The edge of the bezel is polished steel with 60 little square teeth for grips that are both purposeful and decorative. Given that divers are so often defined aesthetically by the style and size of the bezel, it is an important feature to be well detailed and in this instance I believe that Seiko did an excellent job. Often I find bezels to be tacky and over done, which might actually be what draws me to the heritage divers in the first place; their bezels are always minimal.
The face of SNZH is simple, easy to read and quite nice to look at. The face itself is a metallic blue “sunburst” that shines radially from the center out. There are 60 markers around the edge, which supplement the markings on the bezel. At every quarter hour, except 15 where there is a the day/date window, there is a large beveled metal insert with a slightly tapered shape and at every five minutes there is a smaller beveled metal insert. The three dimensionality and polished look of the inserts is very attractive and gives the face a surprising amount of adornment, as though these were small steel diamonds. There are also thin white lines marking the rest of the minutes. On the inner edge of all of the metal inserts is a small rectangle of lume that aligns with the tip of the hour hand.
When the lume is charged this ring of rectangles looks very cool. Unfortunately the lume is very weak, so you wont see it without manually charging it with a light source. This is probably the biggest draw back of the watch, to be honest. I love it when lume gives a face a second personality in the dark, and I believe this design would have done that, but in the end, at night you only see the hour and minute hands, which are large roman swords with lume filling. The seconds hand is a thin polished steel rectangle with a lume filled triangle about halfway from the center to the long edge. The large day date window is the same as it is on all Seiko 5s. Though I appreciate the added functionality and value of having a day/date, I find it to be a bit visually disruptive in this circumstance. Nitpicking aside, I love the face of this watch. I think Seiko took a unique approach to capturing a vintage aesthetic without coming too close to any existing or famous designs.